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Hello Guys, my name is Robbie Fleming, I run and write reviews for the website Robbie’s Reviews. Sunny asked if I wanted to collaborate with him and do a review for his website Hollywood Town. So I decided to review one of my favourite movies “Prisoners (2013)” I hope you enjoy and if you like this want to read more of my reviews here’s a link down the bottom https://robbiemf94.wixsite.com/robbiesreviews Prisoners is a 2013 crime drama directed by Denis Villeneuve, in his first English speaking film, and written by Aaron Guzikowski. The film stars Hugh Jackman, Jake Gyllenhaal, Viola Davis, Maria Bello, Terrence Howard, Melissa Leo, and Paul Dano.
The film is about 2 young girls who go missing and one of the father (Jackman) decides to take matters into his own hands by kidnaping the main suspect (Dano) and tortures him until he tells him the truth. Jake Gyllenhaal plays Detective David Loki, the main detective on the case with Bello playing Jackman’s wife, Davis and Howard play the parents of the other kidnapped girl and Leo plays Dano’s aunt. I first watched this film in 2019 and thought this was one of the best film I ever saw. It feels like 100% was put in everything that made this film and they came out with possibly one of the best films of the 2010s. The Cinematography by Roger Deakins got nominated for an Academy Award but lost to Gravity. I feel like this film is very underrated and unknown and I don’t understand why? This film is a true piece of Art. Denis Villeneuve tells a dark story but in a way that feels beautiful. Roger Deakins cinematography is perfect. It looks so sharp and clear and feels like you are watching something that feels like it actually happened. The score by the late Jóhann Jóhannsson is perfect. Some scenes don’t have any music to them and feel more real but when Jóhannsson’s score kicks in you feel like you’re on an intense emotional journey. His score helps the viewers feel the emotions what the characters are feeling. Acting wise, the cast gives some great Performances including Jackman, Davis, Howard and Dano. But my favorite character and performance in this film is from Jake Gyllenhaal. Before I watched this film, I watched Donnie Darko and Jarhead and in both them movies, Gyllenhaal feels like he is playing the same character. In Prisoners as Detective Loki, Gyllenhaal is playing a different character to what he normally plays. Instead of playing someone awkward like he is in Donnie Darko, he plays a tough cop that plays by his own rules. I think this is my favourite Gyllenhaal performance because it shows how diverse he is as Actor. The film has a great story that kicks in round the first 10 mins and then whole film is about them trying to find their daughters. Most films wouldn’t have this happen till the first 20-30 mins, but this film just gets straight to the point. This film is a very clever film that has small build then a great movie full of intense moments and a lot of twist and turns. This film I have no flaws with. This film a great movie that is beautiful shot, a great film score, great performances, and great directing from Villeneuve. This is a 5-star films and personally in my top 5 favourite films of all time. If you fancy a good film to watch and you have spare 2 and half hours go and watch Prisoners, it is a film that you won’t regret watching. Sunny’s Thoughts A captivating and engaging watch from start to finish, Prisoners is nail biting at the best of times as we become obsessed with wanting to locate the missing girls in question. Hugh Jackman's performance is phenomenal as Keller Dover as his search for the missing girls leads to him losing his sanity piece by piece. Jake Gyllenhaal is also brilliant as the cop Detective Loki, who plays the role with such confidence and command. Overall, with impeccable cinematography from Roger Deakins and under the assured hands of director Denis Villeneuve, Prisoners is a thriller that is thought-provoking and engaging at the same time. Verdict on the movie - 8 out of 10 Thanks for Reading. Check out my website when Sunny a.k.a Hollywood Town does his review on Alita Battle Angel.
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Source: 103CIR - 103.7FM Introduction As one of the forefront composers of the 1980s, Alan Silvestri is a unique gem of a composer with his ability to craft memorable and everlasting movie scores. He is a composer who has a distinctive musical voice and style that is unlike anything of his peers and is known to frequently collaborate with certain directors such as Robert Zemeckis. This article will look at my top 5 Alan Silvestri songs (in reverse order) and explore my thoughts on some of his most memorable songs. 5. 'Cast Away Theme' - Cast Away (2000) For a movie that had a minimal score, Alan Silvestri had a tough assignment on his hands when trying to develop the music for Cast Away (2000). As a result, Alan Silvestri delivered an emotional theme for the movie's protagonist Chuck Noland (Tom Hanks), which begins as Chuck is leaving the island for the first time. As the violins kick in during the full statement of the theme, it extenuates Chuck's love for his volleyball friend Wilson as we see the latter floating away in the sea. Alan Silvestri furthered the movie's themes of loneliness and isolation in the creation of this wonderful theme. 4. 'You Can't Sit Here' - Forrest Gump (1994) For all of the praise and awards that Forrest Gump (1994) received, perhaps an aspect of the movie that often gets overlooked is Alan Silvestri's brilliant score. The song 'You Can't Sit Here' is a great example of his ability to reinforce the images and ideas captured on-screen, in this case, capturing the innocence of a young Forrest Gump as he struggles to find a sit a seat on the school bus. As Jenny tells him that he can sit next to her if he wants, the use of violins is incorporated into the song that sells the love at first sight that Forrest experiences at that moment. The title theme recurs throughout the movie and serves as a reminder of the love and compassion that lies within Forrest Gump. 3. 'Howling Commando's Montage' - Captain America: The First Avenger (2011) In the MCU's first period-set movie, Alan Silvestri was more than up for the task of providing a score that felt appropriately patriotic and militaristic. The song 'Howling Commando's Montage' appears around the halfway mark of the movie as it contains Alan Silvestri's trademark fast-paced instrumentation to accompany the action. The song ends with 'Captain America's Theme' that perfectly sums up the montage of Cap and his Howling Commando's fighting off Hydra. The legacy and impact of Alan Silvestri's soundtrack in the MCU cannot be underestimated. 2. 'He Was the Best of Us' - Beowulf (2007) In the second of his motion-capture-animation collaborations with director Robert Zemeckis, the darker and moodier story of Beowulf (2007) allowed Alan Silvestri to go into full fantasy mode when crafting the movie's soundtrack. The song 'He Was the Best of Us' is a great summation of the various themes presented in the movie. The use of 'Beowulf's Theme' in this song is conveyed with much more sincerity than in the previous times we hear it in the movie. This approach to the song allows us to empathise with Beowulf, who has grown from a young, arrogant warrior to a humbled king concluding his fairy tale story. The use of a choir towards the end of the song brings home the epic fantasy tone of the movie and is one of Alan Silvestri's most underrated soundtracks in his vast composing filmography. 1. 'Back to the Future' - Back to the Future (1985) Was the number one choice going to be anything else? One of the most iconic movie themes not only of the 1980s but of all-time, Back to the Future's title theme is bold, inventive and grandiose to the max (in all the right ways). When Alan Silvestri was tasked with crafting the score for Back to the Future (1985), Robert Zemeckis made a key suggestion to the composer. That was to make the music as big as possible so that the movie felt big in scope. And boy did Alan Silvestri deliver with the movie's title theme that begins with a series of drums and the inclusion of brass before we hear the theme in all of its glory. It's Alan Silvestri's theme that gives Back to the Future the push needed to propel the movie into the stratosphere of classic status. Bravo Alan Silvestri for delivering big time on this score. Your Thoughts What are your thoughts on my top 5 list of Alan Silvestri songs? Do you agree with them and if not, what would be your top 5 songs? Comment below as I'd love to hear your thoughts. Copyright for the above songs belongs to Varèse Sarabande, Sony Music Entertainment Inc, Buena Vista, Marvel Music, Warner Music, Intrada and any other respective owners. Copyright Disclaimer under section 107 of the Copyright Act of 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Source: Comicbook.com Source: VOA News and Associated Press By Sunil Dhokia Introduction Outside of a handful of other composers, Hans Zimmer maybe the most well-known and admired film composer in today's era of cinema. As a composer who pioneered the use of electronic music into Hollywood movies in the 1980s, Hans Zimmer forever changed how audiences experienced music at the movie theatres. This article will look at my Top 5 Hans Zimmer songs (in reverse order) and explore my musical experiences from these songs. 5. 'Discombobulate' - Sherlock Holmes (2009) In one of his most eclectic scores to date, Hans Zimmer was in full experimentation mode when he crafted the score for Sherlock Holmes (2009). This theme has a distinctive Eastern European flavour to it as the song encompasses the peculiar and mysterious nature of the movie. One of Hans Zimmer's finest movie themes without a doubt. 4. 'Honour Him' - Gladiator (2000) What can I say about Gladiator that hasn't been said already? Particularly of Hans Zimmer's score, that was nominated for multiple awards and forever became apart of our popular culture. The song 'Honour Him' is a top example of Hans Zimmer's ability to convey the heartbreaking emotions that we experience during the penultimate scene of the movie. The swell of the orchestra towards the end of the song is a fitting tribute to Maximus Decimus Meridius (Russell Crowe). 3. 'A Small Measure of Peace' - The Last Samurai (2003) A song that sums up the movie's themes of honour, hope and Japanese culture. Hans Zimmer crafted what might be the most operatic score of his career thus far (and that's a good thing). He combines traditional western orchestral music with Japanese instrumentation to create a song that is contemplative, sad at the best of times but is fitting of a movie that despite its mixed critical reception is one of the best from Edward Zwick and Tom Cruise's filmography. 2. 'This Land' - The Lion King (1994) In one of Disney's most beloved and popular movies of all-time, The Lion King (1994) achieves its lofty status thanks in part to Hans Zimmer's powerful score. In the song 'This Land', we initially hear the familiar flute instrumentation from earlier in the movie as this is incorporated with the use of an African choir. In particular, the use of the choir sells the idea of placing us in the same location as the characters we see on-screen. The triumphant note that the song ends on is uplifting in furthering our attachment to Simba's character with (spoiler alert for those who haven't seen the movie) his eventual return to Pride Rock. 1. 'Journey to the Line' - The Thin Red Line (1998) A song that would be used in multiple trailers throughout the 2000s and beyond, 'Journey to the Line' is Hans Zimmer operating at the peak of his powers. The gradual build-up of sound and instrumentation only enhances our experience of seeing the awful acts of violence depicted on-screen. Grand and operatic are the words that come to mind when summing up the experience of listening to this song for the first time. Your Thoughts What are your thoughts on my top 5 list of Hans Zimmer songs? Do you agree with them and if not, what would be your top 5 songs? Comment below as I'd love to hear your thoughts. Copyright for the above songs belongs to WaterTower Music, Universal Music Group, Elektra Records, Sony Music Entertainment and any other respective owners. Copyright Disclaimer under section 107 of the Copyright Act of 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Source: Masterclass and The Hollywood Reporter Source: Spotify By Sunil Dhokia Introduction He's a composer whose status in Hollywood has only been enhanced with each movie he composes. Thomas Newman is, without doubt, one of the great movie composers of our time. His variety in tackling different types of movies has allowed him to experiment with musical styles that composers don't always veer into. This article will look at my Top 5 Thomas Newman songs (in reverse order) and explore my experiences from these musical masterpieces. 5. 'Big Right' - Cinderella Man (2005) Ron Howard's traditional go-to musical man, the late James Horner did not fulfil composing duties for Cinderella Man (2005). Enter Thomas Newman, who utilises his signature tenderness for crafting subtle, emotional songs. 'Big Right' is a great example of Thomas Newman's ability to supplement, rather than overpower the raw emotions depicted in this case, during the climactic fight between James J. Braddock (Russell Crowe) and Max Baer (Craig Bierko). As the fight enters its final moments, Thomas Newman appropriately dials up the volume of the orchestra that sweeps us emotionally into James Braddock's story as the song ends on an appropriately rousing note. 4. 'Arose' - American Beauty (1999) Thomas Newman is fantastic at adapting his musical sensibilities to fit the movie in question. And there may be no better example than in American Beauty (1999). In the first of a series of collaborations with director Sam Mendes, Thomas Newman captures the joy of Lester Burnham (Kevin Spacey) seeing Angela Hayes (Mena Suvari) covered in roses on his bedroom ceiling. The dreamlike state of the scene is conveyed with Thomas Newman's use of quirky instrumentation that is a departure from his traditional musical style but is perfectly suited within the context of the scene. 3. 'Rock Island, 1931' - Road to Perdition (2002) In a movie that is in many ways an anti-gangster flick, Thomas Newman establishes the emotional dynamic of Road to Perdition (2002) in its opening scene. As we see Michael Sullivan Jr. (Tyler Hoechlin) ride his bicycle through the streets of 1930s Illinois during The Great Depression, we hear Thomas Newman utilising Celtic instrumentation before the musical bridge of the song uses traditional orchestral textures. Both sounds work in perfect harmony with one another as we're immediately invested in the innocence of our young protagonist. 2. 'Coffey on the Mile' - The Green Mile (1999) While The Green Mile (1999) did not reach the heady heights of The Shawshank Redemption (1994), one factor that was consistent between both movies was the music from Thomas Newman. In his second collaboration with Frank Darabont, Thomas Newman opted for a more subtle approach to his writing of the movie's musical material. The 'Coffey on the Mile' song is a perfect example of his ability to combine his signature quieter musical statements with sweeping emotional peaks to the music. For those that have seen the movie, you'll know that the importance of the song to this scene is huge in terms of selling the story's emotional pay-off. 1. 'Shawshank Prison' (Stoic Theme) - The Shawshank Redemption (1994) As Andy Dufresne (Tim Robbins) makes his way towards Shawshank prison for the first time, we're immersed in the landscape of the prison through Roger Deakins magnificent cinematography. What gives the scene its gold seal of approval though is Thomas Newman's beautiful orchestral 'Stoic Theme' that dominates our senses. Thomas Newman expertly contrasts the dark, harsh environment of Shawshank prison with a song that makes you empathetic for Andy Dufresne's plight as a character in that particular moment. Your Thoughts What are your thoughts on my Top 5 list of Thomas Newman songs? Do you agree with them and if not, what would be your top 5 songs? Comment below as I'd love to hear your thoughts. Copyright for the above songs belongs to Universal Classics Group, SKG Music, UMG Recordings Inc, Warner Records Inc, Epic Records (a division of Sony Music Entertainment) and any other respective owners. Copyright Disclaimer under section 107 of the Copyright Act of 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Source: Variety, Alberto Rodriguez and Disney/Pixar
Source: NME By Sunil Dhokia Introduction He is a composer that even at the grand old age of 88 is still producing high-quality film music that is head and shoulders above the competition. From Jaws to Star Wars, John Williams has proved himself time and again with his unique ability for crafting memorable movie themes and soundtracks that have etched themselves into our popular culture. This article will focus on my 'Top 5' songs (in reverse order) from John Williams as I'll discuss the various emotional responses that came from hearing these songs for the first time. 5. 'Theme from Home Alone' ("Somewhere in My Memory") - Home Alone (1990) Some might be surprised by this choice while others might be nodding in agreement as to why this song makes the number 5 spot. What Home Alone's title theme does magnificently well is how it captures the young innocence of the movie's protagonist Kevin McCallister. The use of a children's choir, in particular, reinforces this idea and conveys what Christmas is all about: family and caring for your loved ones. 4. 'Hymn to the Fallen' - Saving Private Ryan (1998) It's hard to not shed a tear or two when hearing the first minute or so of this heartbreaking track on Saving Private Ryan's OST. John Williams said that he wanted to create a song for the movie's end credits that honoured the deaths of the various characters we've grown to be attached with. In doing so, the song packs a gut-wrenching emotional punch in recalling the horrors of World War II and is angelic in its approach with the inclusion of the Boston Symphony Orchestra choir. As a result, we're emotionally swept up with a heartbreaking conclusion to one of the greatest war movies of all-time. 3. 'Prologue' - JFK (1991) Inspirational, uplifting and the search for justice are all ideas that come to mind when the full statement of the main theme in JFK comes to fruition. Though John Williams was infamously short on time with his JFK score due to his commitment with regular collaborator Steven Spielberg on Hook (1991), his ability to craft a larger-than-life theme cannot be understated. Similar to his Born on the Fourth July score (another Oliver Stone collaboration), one can hear the honest and sincere sounds of America bursting through the speakers as the 'Prologue' is a fitting tribute to one of the great unresolved mysteries in U.S history. 2. 'Welcome to Jurassic Park' - Jurassic Park (1993) A score that has gone down in history as not only one of John Williams best but also containing one of the greatest movie themes of all-time. John Williams captures the awe-inspiring wonder of seeing dinosaurs' on the big screen in a way that many monster movies had not captured before or since then for that matter. Once the 'Welcome to Jurassic Park' theme eventually kicks in the second half of the track, we're immediately taken to Isla Nubla as our profound memories of the movie come flooding back. Loud, bombastic and triumphant were the exact qualities the movie's soundtrack needed and this track along with rest of the OST delivers that and more. 1. 'I Could Have Done More'- Schindler's List (1993) It's a debate that could go on for eternity and by no means is there a right or wrong answer, but this song choice from Schindler's List was most definitely based on the raw, emotional response that came from seeing the movie for the first time. While I won't spoil the penultimate scene for those for who haven't seen Schindler's List (which I implore you to do so at the earliest opportunity) it cannot be understated how important of a role this particular track plays in selling the movie's pay off if you will. The haunting violin strings from Itzhak Perlman will linger in your memory long after the credits roll and serve as an unfortunate reminder of the countless lives lost during The Holocaust. It's a theme that's rewarding not necessarily for its enjoyment per se but as a way to appreciate John Williams's knack for going into the emotional depths of a movie and coming out the other end with an experience that you won't forget. Your Thoughts What are your thoughts on my top 5 list of John Williams songs? Do you agree with them and if not, what would be your top 5 list? Comment below as I'd love to hear your thoughts. Copyright for the above songs belongs to Sony Music Entertainment, UMG Recordings Inc, Elektra Entertainment and Geffen Records. Copyright Disclaimer under section 107 of the Copyright Act of 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Source: People and Alberto E. Rodriguez/GettySource
By Sunil Dhokia Action-packed, fun and exciting, Spider-Man: Far From Home delivers for the web-head in more ways than one and ends Phase 3 of Marvel Studios with a home run. Spoiler-Warning: This is going to be a spoiler-filled review of Spider-Man: Far From Home, so if you have not seen the movie, I would advise that you watch the movie first and then come back to my review to avoid any narrative details. What's the Movie About? Directed by Jon Watts, Spider-Man: Far From Home (2019) is a superhero movie that follows the continued adventures of Peter Parker / Spider-Man (Tom Holland). In this story, Peter and his classmates including MJ (Zendaya) go on a school trip to Europe until Nick Fury (Samuel L. Jackson) along with Quentin Beck / Mysterio (Jake Gyllenhaal) recruit Spider-Man to aid them in their mission to defeat the villainous Elementals. Positives In usual Marvel Studios fashion, the focus on its characters along with their ability for spectacular action is the movie's core strengths: Focus on Characters and Performances There's a reason why Marvel Studios are in the 23rd feature movie of their multi-billion-dollar franchise. It's their focus on the strengths and flaws of their heroes that have allowed the studio to accumulate and grow their fan base to where they are today as the dominant studio in Hollywood. Spider-Man: Far From Home continues this trend by exploring how Peter Parker is feeling the effects of (spoiler warning for those who haven't seen Avengers: Endgame) Tony Stark's death in his everyday life. This casts a shadow over Peter as the story explores the themes of father-figures, growing up into adulthood and responsibility as one gets older. This evolution in Peter's character arc means that Tom Holland can balance the action elements of Spidey with his ability for plunging into the emotional depths of Peter's psyche. For example, when Peter tells Happy Hogan (Jon Favreau) how he misses Tony Stark, Tom Holland conveys Peter's heartbreaking emotions for Tony with such flair and ease. Confident storytelling along with Peter Parker's defined character arc means that when the big set-pieces arrive (and trust me, they do), we're already emotionally involved in Peter's journey and his drive to be the hero that the world sorely needs. Michelle Jones aka MJ played once again by Zenadya makes a return in this movie. Screenwriters Chris McKenna and Erik Sommers give MJ a lot to do in the story as she frequently interacts with Peter Parker and becomes entangled with his crime-fighting alias. It's a vast improvement over MJ's role in Spider-Man: Homecoming (2017), where she appeared for the sake of saying dialogue in a deadpan delivery to various characters. While this trait is retained in the sequel, it's thankfully reduced to a handful of moments. By the screenwriters adding more dimensions to MJ's character, it allows Zendaya's charming personality to come through in her performance. This is evident in the Prague bridge scene between MJ and Peter Parker as Zendaya balances MJ's teenage awkwardness with her growing affection for Peter. By the movie's end, we're just as invested in MJ as we are with Peter Parker. Following Michael Keaton's nuanced portrayal of Adrian Toomes / Vulture in Spider-Man: Homecoming, the sequel picks up the baton and delivers once again in crafting a compelling villain in Mysterio. Jake Gyllenhaal is in scene-stealing form in a role that's a departure from the heroic roles we've grown accustomed to seeing from him. The outbursts of anger from Mysterio, particularly in the climactic battle with Spider-Man each time his plans don't come together is a joy to watch. It allows Jake Gyllenhaal to give his interpretation of a moustache-twirling villain without veering into campy or ridiculous. These moments of villainy only work however, if the movie gives Mysterio clear motivations for his actions along with crafting a developed character arc. Fortunately, the movie delivers both in spades as the 'big twist' in Quentin Beck's character arc is how Tony Stark / Iron Man (Robert Downey Jr.) betrayed him in Captain America: Civil War (2016) by stealing his E.D.I.T.H A.I technology and renaming it B.A.R.F in the process. This reveal gives Quentin Beck a reason for why he wants to retaliate against the world after not being shown any affection by his former boss. It's this care and attention into Mysterio's character development that allows Jake Gyllenhaal to combine the dramatic aspects of his character with his likability and appeal as an actor. Action While the action scenes in the MCU by this point have generally been of a high standard, it seems that Spider-Man in his first solo MCU outing may have gotten the short end of the straw. By no means is this a slant on Homecoming though as it was looking to move away from the big action of the previous Spidey movies in favour of a scaled-down approach. It only felt right therefore that the sequel upped both the stakes and scale of its action set-pieces. And Far From Home is a definite improvement over Homecoming in that regard. The first decision that Jon Watts made in his approach to the action was to place Spider-Man in a foreign setting. By moving away from New York City and setting the action across Europe allows the movie to give audiences something both familiar and different at the same time. The familiar is seeing Spidey do battle, this time against 'The Elementals', whilst the uniqueness comes from the variety of villains that Spidey faces with their different power abilities. This is complemented with the contrast of high and low-key lighting techniques, moving from the bright, sunny location of Venice in Spidey's battle with the Water Elemental to the harsher, dark landscape of Prague in his fight against the fire Elemental. The second decision that impacted the action is the use of a Spider-Man villain not depicted on-screen before. With Mysterio's illusion technology, it allowed Jon Watts to come up with some interesting and inventive action scenes that explore some of Spidey's deepest fears and inner conflicts. Moments such as Mysterio dropping MJ from the top of a building or Iron Man rising from his grave to attack Spider-Man are great examples of Jon Watts visually conveying Spidey's fears without the overuse of exposition. And in a lot of ways, that's far more interesting than just watching the good guy beat the crap out of the bad guy or vice versa. Negatives A few issues in the pacing and editing departments stop Far from Home from achieving top marks in class: Pacing and Editing Much like Spider-Man: Homecoming, Far From Home follows a similar suit in its slower pace to the second act of the movie. While it's understandable that the movie takes this time to flesh out more of the characters' inner conflicts such as Peter's need to step out of Tony Stark's shadow as a hero, it also removes some of the spark that was felt in the first act of the movie. As a result, the movie feels slightly padded out then it needed to be and some tighter cuts in the editing department would have helped the movie maintain a sense of energy from to start to finish. Summary
A sequel that improves upon its predecessor in almost every way, Spider-Man: Far From Home is superhero escapism at its finest with stellar performances from Tom Holland, Zendaya and Jake Gyllenhaal, grand-scale action and a mid-credits scene that will leave you in a shock. Verdict on the Movie 8 out of 10 Your Thoughts What are your thoughts on Spider-Man: Far From Home? Do you agree that it's better than Spider-Man: Homecoming? Comment below as I'd love to hear your thoughts. All images above and below and their copyright belong to Sony Pictures Releasing, Marvel Studios and any other respective owners. Copyright Disclaimer under section 107 of the Copyright Act of 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. |
About MeMy name is Sunil Dhokia, I'm a movie fanatic and love all things Hollywood. Blog Archives
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